Author and musician Rick Moody has tackled the unenviable task of writing about music for many years. In this book, he compiles a varied collection of essays and thoughts that shed some light on his views of our world of music. Of particular note is his opening essay "Against Cool" in which he chronicles the word's journey from truly meaning cool to becoming another way to say "neat". He begins with the origin of the "cool" bluesy jazz of Miles Davis. He argues that the commercialization and over exposure of the cool (think Kool-Aid or Kool Cigarettes) diminished the value of the word.
In another well written section, Moody attempts to grasp what the music of heaven will sound like. To me, this was the most effective section. Moody somehow manages to relay his emotional connection/response to certain pieces and artists (Simon and Garfunkel, Arvo Part, etc.). Through these descriptions and personal recollections, Moody makes an interesting point about the sounds of the afterlife, and admits his fears of nonbeing.
Other sections of this book fail live up to the level of the better written ones. Like an album of music, certain essays really worked while others just fell flat. Despite Moody's fantastic writing, some of his pieces simply failed to come to any important point. With that in mind, this book is well worth reading for the many gems it contains. Anyone who has had a connection to music will find meaning in Moody's writing and gain a larger knowledge of the music that inhabits our world.
For more information visit the author's website
http://www.rickmoodybooks.com/, the publisher's site
and http://www.goodreads.com/book/show/12240466-on-celestial-music and
(week 16, book 18)