A Book A Week

"Slavery is everyday longing, is being born into a world of forbidden victuals and tantalizing untouchables---the land around you, the clothes you hem, the biscuits you bake. You bury the longing, because you know where it must lead."

To say that Ta-Nehisi Coates has a way with words would be an understatement. He is acclaimed for contributing to countless magazines and newspapers, written celebrated collections of non-fiction, and won the National Book Award for his book Between the World and Me. Coates has even been awarded the MacArthur Foundation "Genius Grant" for his writing. I first became aware of the author when a friend shared a clip of Coates speaking about the idea of reparations for enslaved people at a US House committee hearing. The eloquence and thoughtfulness with which he spoke really captured my spirit and inspired me to seek out his writing. An interview with Coates and Oprah for her book club on Apple TV+  narrowed down my selection to The Water Dancer. For anyone who has encountered the words of Coates, it should come as no surprise that his first work of fiction is the kind of transformational, visionary writing that only the greatest authors dare to achieve.

What immediately struck me as I began reading the book was Coates's powerful use of language and description to transport the reader to a specific time and place. To borrow from his own writing, he used, "...words with their own shape, rhythm, and color, words that were pictures themselves." Be warned, this kind of highly pictorial prose takes a bit of getting used to. The first paragraph alone is but one long sentence that establishes time, place, character, and mood. This is not the kind of writing that you casually pick up during brief breaks while working from home. I found that I had to commit to reading for hours at a time, letting myself become immersed in the words, falling into the rhythm of the syntax. Don't let this deter you from giving The Water Dancer a chance. Once I was fully immersed in the language, I was entranced by the spell that it cast upon me.

The novel focuses on Hiram "Hi" Walker, a young man enslaved at the Lockless plantation in Elm County, Virginia. The boy has a gift with memory, a skill that first earns the delight of the fellow enslaved and later that of the white people who own the land. Hi remembers everything. He can recall in perfect detail the exact words of an overheard conversation. This gift soon sees him invited to join a higher rank of enslaved people within the main house. Hi's father is the White owner of the Lockless estate. He is impressed when Hi's memory entertains some of the Quality (white slave owners) at a dinner party, distracting them from their barbaric desires toward the other Tasked (enslaved people).

Despite Hi's gift of memory, there is one important recollection that evades him. His mother was sold by his father when Hi was just a young boy. He knows how the other Tasked speak of her with revere to both her beauty and kindness, but Hi does not remember her himself. Gone is the tone that she spoke to him with, the subtlety of her physical features a blur of uncertainty. "She'd gone from that warm quilt of memory to the cold library of fact."

As he grows, Hi becomes disillusioned with the fate that he is sure to encounter. He is tasked with caring for his older half-brother Maynard, the unintelligent, but the correct skin-toned heir to Lockless. Times are changing for the worse. After years of thriving tobacco output, the land of Elm County is starting to dry up. The writing is already on the wall, and the Quality is starting to panic, selling off their Tasked for whatever value will keep their withering estates afloat. A tragic event and unexplainable transportation leave Hi eager to move beyond his enslaved state. That combined with a boyhood crush that is blossoming into love leaves him with the resolution that many other enslaved people dare not seek. Hi is going to try to run.

The Water Dancer sees Ta-Nehisi Coates write about memory and the weight of memory with thoughtfulness and imagination that has kept me reeling with emotion and reflection long after turning the final page. His writing envelops you with each word, transporting you into the mind of Hiram and the world that he inhabits. Coates worked on this novel for ten years, researching and visiting the places of this history, never discounting the importance of the story he strived to tell. As such, The Water Dancer strikes a perfect balance between the historical accuracy that gives it a sense of realism with the development of its layered characters and plot. As I became engrossed in the history, I found myself unable to put the book down.

There are countless allegories layered into the novel, calling on the themes of family, racism, and systems that are put into place that disproportionately benefit one person while harming the other. Coates introduces an element of magical realism that elevates the novel's themes while not detracting from the carefully established history of the setting. Like Colson Whitehead's physical Underground Railroad in his novel of the same name, Coates uses the idea of Conduction to provide both physical and metaphorical bridges between the physical places and the memories of his characters. The description of Conduction in the novel perfectly captures my own reaction to The Water Dancer: "The jump is done by the power of the story. It pulls from our particular histories, from all our loves and all of our losses. All of that feeling is called up, and on the strength of our remembrances, we are moved."

For more information visit the author's website, Amazon, and Goodreads.
(2020, 16)