A Book A Week

I've been a devoted fan of John Sandford's crime novels ever since I first discovered his Virgil Flowers series in college. Sandford’s signature blend of sharp humor and breakneck plotting instantly hooked me, making Flowers one of my favorite protagonists in the genre. Back then, he was releasing a Virgil Flowers novel annually, alongside a new installment in his more famous, and arguably more popular, Prey series, featuring Lucas Davenport.

In recent years, as Sandford continues writing into his 80s, he’s shifted to a single yearly release that brings both heroes together in the same book. After taking a break from this approach last year, Lethal Prey marks the return of Davenport and Flowers as a duo, so I was eager to get my hands on it. Fortunately, Sandford’s publisher sent me a copy, meaning I didn’t have to wait long to dive in.

In an age obsessed with internet sleuthing and true crime, Lara Grandfelt is wagering $5 million that someone can finally solve her twin sister Doris’s decades-old murder. Brutally stabbed over 20 years ago, Doris’s body was found in a dense thicket at the edge of an urban park, but her killer was never caught. Now, facing her own mortality after a cancer diagnosis, Lara is determined to uncover the truth, offering a fortune to anyone who can bring the murderer to justice.

Lara knows the flood of online sleuths chasing her $5 million reward will need oversight. Enter Lucas Davenport and Virgil Flowers, reluctantly called in to verify leads as a favor to a politician Lara generously supports. Skeptical of crowdsourced crime-solving, they dismiss the frenzy as internet noise. That is until a blogger uncovers the murder weapon. As real clues emerge, so does a chilling truth: the killer is watching, adapting, and staying one step ahead. With every new revelation broadcast online, Lucas and Virgil must race to solve the case before the killer claims more victims—including themselves.

I've come to take great comfort in the familiarity of John Sandford's writing, and Lethal Prey, the 35th installment in his longest-running series, delivers plenty of what I love. Once again, Sandford pairs his best characters to solve a decades-old case, using his signature approach—giving readers insight into the killer’s perspective while letting his heroes race to uncover the truth. It’s a formula he’s mastered and one I always enjoy.

That said, this installment didn’t hit quite as hard as previous ones. The sharp, witty banter between Davenport and Flowers felt sparser, and the investigation's momentum stalled in places. But what really lessened the impact for me was the abrupt ending. The story simply stopped, leaving a major cliffhanger rather than a satisfying resolution. Even so, I’ll be first in line for the next book. Sandford has a proven track record in crime fiction, and a few missteps won’t keep me from diving into whatever he writes next.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 26)

One of the most common icebreakers I’ve encountered is the dreaded question: If you could have dinner with any person, dead or alive, who would it be? No matter how many times it’s been asked, I always freeze, struggling to come up with an answer. But perhaps the more interesting follow-up question is: What would you hope to learn from them? That shifts the conversation from a surface-level fantasy to something deeper, exploring the lessons we can take from history and those who lived through it.

In Harriet Tubman: Live in Concert, Bob the Drag Queen takes that idea and runs with it, crafting a reality where historical figures miraculously return to life, confront the modern world, and force us to reexamine the past. It’s a bold, imaginative debut that turns a familiar hypothetical into a thought-provoking and wildly entertaining read.

No one can explain how or why it happened, but everyone agrees—it’s a miracle. Long-dead historical figures have inexplicably returned, alive and well, picking up where they left off while adapting to the modern world. 

"It's been a very strange news cycle since The Return. Cleopatra is now an Instagram model, Rockefeller is having public battles of wealth display with Elon Musk and Jeff Bezos, and everyone is waiting on pins and needles to see if Jesus will return. I'm not betting on it."

For Darnell, a once-successful record producer whose best days are behind him, the phenomenon takes an even stranger turn—one of these legendary figures not only knows who he is but wants to work with him.

When you think of Harriet Tubman, you likely picture the fearless abolitionist who risked her life to lead hundreds to freedom through the Underground Railroad. But now that she’s back, Harriet quickly realizes that while progress has been made, the fight for freedom and equality is far from over. The journey to the Promised Land must continue, and she’s determined to tell her story in a way that resonates with this new generation. The best way to do that? A hip-hop album.

If that sounds crazy, just ask Alexander Hamilton.

Harriet enlists Darnell to help her bring her vision to life—producing an album and a concert that could change the world. Along the way, he might just rediscover his own purpose, too.

Bob the Drag Queen is a comedian, reality TV star, drag performer—and now, he can add author to that list. Harriet Tubman: Live in Concert is one of the most imaginative, original, and provocative novels I’ve read this year. His distinctive voice leaps off the page, infusing this speculative historical fiction with sharp humor and insightful commentary.

Bob fully embraces the what-if of it all, crafting a fish-out-of-water scenario that places Harriet Tubman in the modern world, balancing levity with moments of deep reflection. While some passages lean a bit repetitive, his undeniable charisma and clear perspective keep the story moving, smoothing over any technical hiccups.

By bringing Tubman into the present, Bob draws a compelling parallel between the abolitionist movement of her time and the ongoing fight for LGBTQ+ rights. The struggle for equality is never-ending, but it’s one worth continuing. This novel serves as a powerful reminder that, no matter our race, gender, or sexual orientation, we all deserve to live fully, freely, and without fear. As Harriet herself puts it: “The biggest struggle in earning your freedom is feeling like you deserve it."

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 25)

I first discovered Hannah Morrissey’s writing through her fantastic debut, Hello, Transcriber, where she introduced the bleak and crime-ridden town of Black Harbor, Wisconsin. Her atmospheric prose, combined with a gripping murder mystery, made the novel a standout. I quickly devoured her next two books set in Black Harbor, each featuring new characters and mysteries while remaining interconnected through their shared setting.

So when Morrissey’s publisher offered me a chance to review The Unlucky Ones, the fourth book in the Black Harbor series, I jumped at it. Learning that this novel would revisit the main character from her debut only heightened my excitement. 

She wouldn't have believed you if you had told Hazel she’d return to Black Harbor. She was more than happy to leave the town and everything it represented behind. Black Harbor had given her nothing but misery: an emotionally and physically abusive ex-husband, a toxic workplace romance, and a job that entangled her in a murder investigation that nearly cost her life. She escaped, and she never looked back. But now, against all odds, she’s back, and the darkness she left behind threatens to consume her once again.

With the Fourth of July approaching, tensions in Black Harbor are rising. A deadly new drug is flooding the streets, the summer heat is suffocating, and, of course, there’s been another murder. Sergeant Nikolai Kole has seen plenty of crime scenes, but this one is different. A body, wrapped in garbage bags and doused in bleach, lies in the back of a clubhouse. The victim? Tommy Greenlee—Hazel’s ex-husband.

Hazel and Kole, former lovers with a complicated history, must work together to uncover the truth. They both want justice, even if neither of them particularly cares for Tommy. But can they trust each other? They once used each other for their own ends, and their reunion threatens to dredge up old wounds. As the chaos in Black Harbor escalates, Hazel and Kole strike an uneasy truce. To solve this murder, they’ll have to navigate the city’s darkest secrets and confront their own secrets along the way.

There’s something liberating about hitting the open road, leaving behind schedules and responsibilities, if only for a little while. Just you, your thoughts, and the miles stretching ahead. Of course, reality has its limits—gas, speed limits, food, and sleep all play a role—but for a brief moment, a road trip can feel like the perfect escape from life’s burdens.

For Livia and her friends, that escape is precisely what they need. Reeling from the discovery of her husband’s affair, Livia is desperate to get away, and her friends are more than willing to help her forget her troubles for a few days. Their trip through the Cascade foothills of Central Oregon starts as a simple getaway, but a reckless tow truck driver tailing them turns their carefree ride into something far more unsettling.

Hoping to lose him, they veer onto County Road 95, an unremarkable backroad with a chilling local reputation. Known as The Devil’s Driveway, the 15-mile stretch quickly turns their road trip into a nightmare. What starts as a detour soon becomes a desperate fight for survival, pushing the four women to the edge of their sanity. And with every twist and turn, something even more terrifying waits ahead.

I was immediately drawn to the concept of a haunted highway and gladly accepted the audiobook version of White Line Fever from K.C. Jones’ publisher. Kate Hanford’s expert narration added a chilling urgency to the story, keeping me hooked and looking for any excuse to keep listening. Jones gradually unveils the full scope of the horror his characters face, starting with eerie instances of lost time, dissociation, and hallucinations before escalating into true, unrelenting terror.

Throughout the novel, Jones weaves in flashbacks to Livia’s past, adding depth to her character. While I appreciated these insights, they occasionally disrupted the pacing, and I often found myself more eager to return to the escalating tension on the road. Still, White Line Fever hurtles toward a harrowing climax that delivers thrills and meaningful character growth. A solid horror thriller, it’s an especially gripping listen.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 23)

Some are born with the gift. Others have it thrust upon them. Olivia never expected to possess it at all. The ability to commune with the dead had always belonged to her sister, Naiche. But when Naiche died under mysterious circumstances, that gift transferred to Olivia, a final, unasked-for inheritance that changed her life forever.

Olivia has fully embraced her abilities, becoming a sought-after paranormal investigator. But the loss of Naiche still leaves an ache she can’t shake. When she’s called to investigate unsettling occurrences at the historic Brown Palace Hotel in Denver, she assumes it will be just another routine haunting. But this case is anything but ordinary. Every few years, a woman is found dead in room 904, no matter which room she initially checked into.

As Olivia delves into the chilling pattern of deaths, the past and present begin to blur. Her investigation pulls her into the orbit of a mysterious cult, a relentless journalist, betrayals from those she trusts, and shocking secrets about Naiche’s hidden life. What started as a ghost hunt quickly becomes something far more dangerous and personal.

In The Haunting of Room 904, Erika T. Wurth weaves a deeply personal tale of family, grief, and cultural identity within the framework of a gripping paranormal thriller. From the start, the eerie atmosphere sets the stage, evoking the unsettling tension of The Conjuring films. While the supernatural elements are undeniably chilling—delivering plenty of moments to send shivers down your spine—it’s the richly drawn, diverse cast that makes this novel stand out.

Wurth seamlessly integrates Indigenous history, particularly the lasting impact of the Sand Creek Massacre, alongside nuanced representations of LGBTQ+ and Jewish identities. These layers of cultural and historical depth unfold organically, adding weight and resonance beyond the scares. Through the terror, Wurth challenges readers to reflect on identity, politics, and belonging. The pacing isn’t always even, but the novel remains compelling and thought-provoking—a haunting on multiple levels.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 22)

Martha has always believed she’s cursed when it comes to love. Every relationship has ended in disaster, leaving the quiet librarian to embrace a solitary life with nothing but her beloved books for company. But then she met Alan. He was older, yes, but he was kind, devoted, and truly seemed to love her. Before long, they were married, and for the first time, Martha thought her luck had finally changed.

Yet, even in marriage, loneliness lingers. As a traveling salesman, Alan spends most of his time on the road, peddling teacher-themed tchotchkes at education conventions. A year into their relationship, Martha realizes she barely knows the man she married. Then she finds blood on the collar of one of his shirts. Her unease grows as she digs deeper, uncovering a series of murdered women, each killed in a city that coincides with Alan’s travels.

Could her husband be a serial killer, or is it all a terrible coincidence? Unsure of what to believe, Martha reaches out to an old graduate school friend, Lily Kintner. Lily has a knack for handling dangerous men. Eager to uncover the truth, Lily agrees to investigate Alan. What she discovers is far more twisted and sinister than they ever imagined.

In A Talent for Murder, Peter Swanson once again proves his knack for crafting gripping, twist-filled thrillers. Having long admired his stand-alone novels, I grabbed this one when I spotted it at my local library. It wasn’t until I was well into the story that I realized it’s actually the third book in a series that began with The Kind Worth Killing. Fortunately, A Talent for Murder works just fine on its own.

Swanson wastes no time pulling readers in, opening with a tragic perspective from one of the victims. The story was heading toward a fairly predictable conclusion until Swanson flipped the script entirely. The twist caught me completely off guard, shifting the novel’s trajectory to make the final act even more intense and satisfying than I had expected. Fast-paced and full of surprises, A Talent for Murder is a sharp, exhilarating mystery that proves Swanson is writing at the top of his game.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 21)