A Book A Week

Before his debut novel The Thursday Murder Club came out a few years ago, Richard Osman was widely recognized mostly as a British TV presenter. That debut was a huge success, leading to three sequels and establishing Osman as a prominent crime fiction author. Now, he returns with a new novel, introducing a fresh set of characters, aiming to launch another successful series. We Solve Murders, generously provided to me by Osman's US publisher, showcases his trademark wit in a murder mystery that promises to be another impressive addition to his growing body of works. 

Steve Wheeler has settled comfortably into retirement in a quiet English village, content with the slower pace of life. Once a cop handling high-profile cases, he's now a widower who spends his days on small local investigations like insurance claims and lost pets. His life may be quieter now, but Steve finds solace in routine—attending weekly quiz nights at the pub, caring for his cat Trouble, and leaving messages for his late wife on his dictaphone, a ritual that helps him cope with her absence.

Amy Wheeler, Steve’s daughter-in-law, shares a close bond with him, perhaps even closer than the one she shares with her husband, Adam. While Adam and Steve don’t communicate much beyond pleasantries, Amy tries to stay connected. Working as a personal bodyguard for a private security firm, Amy can relate to Steve's background, and they find common ground in their shared experiences. Amy’s current assignment is protecting Rosie D'Antonio, a top thriller author who has retreated to her private island off the coast of South Carolina after possibly angering a Russian oligarch with her latest book.

What was supposed to be a straightforward assignment takes a dangerous turn when a series of crimes—including the murders of influencers, money laundering, and a mysterious figure using ChatGPT to hide their identity—put Amy in the crosshairs. Framed for the crimes, Amy turns to Steve, the only person she trusts, to help her untangle the web of deception. Together, they embark on a globe-trotting adventure, determined to outsmart the criminal masterminds and stay one step ahead in a deadly game of cat and mouse.

I must admit, I approached We Solve Murders skeptically, unsure if Richard Osman could capture my attention as effectively as he did with his previous series. At first, my concerns seemed justified—I struggled to keep track of the new characters as Osman rapidly introduced them, bouncing from one to the next. The setup felt like a complex web of cast and plot, and I worried it might not all come together. But I should never have doubted him. Osman has once again delivered a stellar mystery filled with sharp social commentary, exhilarating twists, and his signature British wit. The story had the potential to veer into the outlandish, but Osman keeps it grounded through his protagonist, Steve. Steve serves as the everyman, guiding us through the proceedings with relatable bewilderment and providing the story with a solid emotional anchor. As I kept reading, I became increasingly captivated by Osman's writing, eager to solve the mystery and frequently laughing at his clever observations. We Solve Murders is a promising start to a new series, reaffirming Osman's talent for crafting compelling mysteries with charming characters and a delightful dose of humor.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 68)

I've always had a soft spot for classic murder mysteries. It's a genre that shaped my love for reading and often provides a go-to escape when I need a reliable book. So, when Ragnar Johnasson's publisher offered me an audio copy of his newest novel, Death at the Sanatorium, I was immediately intrigued. Icelandic crime fiction can be a mixed bag for me, but the idea of this novel being inspired by the classic mysteries I've come to love was too tempting to pass up. Fortunately, this one turned out to be a clever take on the genre.

In 1983, an elderly nurse was murdered at a hospital in Iceland, the site of a former sanatorium steeped in dark history. Detective Hulda Hermannsdóttir and her superior, Sverrir, were called in to investigate and begin questioning the staff on duty that night. A nurse's false testimony resulted in the arrest of a caretaker, but the case quickly took a turn. Just days later, a physician was found dead, having apparently fallen from a balcony. Sverrir deemed it a suicide, released the caretaker from custody, and assumed the physician was responsible for the nurse's murder, closing the case for good.

Nearly thirty years later, young police detective Helgi Reykdal is juggling his studies in criminology with a search for a job that aligns with his passion for classic mysteries. A devoted fan of Agatha Christie and P.D. James, Helgi has focused his dissertation on the old sanatorium murders in 1983, which he believes remain unsolved. By a stroke of fate, he secures a detective position with the Reykjavik police. It's the very role Hulda Hermannsdóttir held during the original investigation. Helgi revisits the cold case, convinced something was overlooked. As he begins meeting with the original suspects, he uncovers a long-buried web of silence and suspicion. Only his sharp intellect and determination will help him unravel the truth behind the decades-old mystery.

In Death at the Sanatorium, Ragnar Jonasson merges modern storytelling with a timeless murder mystery formula, creating a narrative that feels both familiar and fresh. The story alternates between two timelines—one set in the past, echoing classic detective novels, and the other in the present, where a young detective revisits a case long considered closed. This structure keeps readers on edge and adds layers of intrigue as the past's secrets slowly unravel in the present.

Though the characters could have been more deeply explored, the novel delivers an atmospheric, suspenseful mystery with a shocking and emotional twist. Jonasson's nod to golden-age detective fiction, combined with his contemporary take on justice and hidden truths, makes Death at the Sanatorium a gripping read for fans of the genre.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 67)

Meeting expectations is a challenging feat, especially when those expectations are sky-high. While anticipation signals past success, the pressure to surpass it can be overwhelming. That’s the situation Matt Haig faces with his latest release. His 2020 novel, The Midnight Library, was a runaway success, capturing readers' hearts with its imaginative tale of a woman exploring alternate lives through a magical library. The book struck a chord during a time of collective uncertainty, and even when I read it in 2022, it left a lasting emotional impact on me. Now, with Haig’s new novel, The Life Impossible, the anticipation is palpable, setting the stage for Haig to try to deliver on an already high bar. 

Retired math teacher Grace Winters finds herself slipping deeper into grief and loneliness. Years ago, her life was shattered when her 11-year-old son died in a tragic accident, leaving her emotionally scarred and disillusioned. Though she managed to finish her teaching career, retirement has brought little peace. The recent death of her husband has left Grace with no family, no purpose, and no reason to face each new day.

Out of the blue, Grace learns that her former colleague Christina, with whom she had lost touch, has passed away and inexplicably left her a crumbling house on the coast of Ibiza. With nothing to lose, Grace boards a one-way flight to Spain to untangle the mystery of this unexpected inheritance. Upon arriving, she’s confronted with more questions than answers. Having spent her life relying on the structure and logic of mathematics, Grace must now embrace uncertainty and take risks to uncover the truth behind Christina’s bequest and perhaps find a new direction for her own life.

In The Life Impossible, Matt Haig attempts to recapture the magic that made The Midnight Library successful. The familiar elements are there: a protagonist at her lowest point, a life-altering encounter with someone from her past, and a touch of magical realism, all designed to convey a message about the beauty of life's uncertainties and the possibility of redemption. These ingredients should create a moving and impactful story, but sadly, the novel falls short of this promise. The central conceit—the entire book being a 300+ page letter from the protagonist, Grace, to a former student struggling with depression—aims to inspire, but the message feels unclear. The narrative veers in different directions, shifting between themes of personal discovery, mystery, and environmental activism without fully committing to any of them.

The disjointed narrative makes for an uneven read, with no clear emotional throughline or character development to anchor the story. Grace feels more like a vessel for the book’s redemptive message than a fully developed character. While the ending is logical, it lacks the emotional resonance that Haig has previously delivered. Ultimately, The Life Impossible falls short of the high bar set by The Midnight Library, leaving this reader feeling more disappointed than moved.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 66)

September has arrived, bringing a slight chill to the air. Though the season is slowly changing here in South Texas, at least the temperatures aren’t as blistering as they were this summer! Even though it’s a bit early, I couldn’t resist diving into my favorite fall traditions—opening the windows to welcome the breeze, indulging in pumpkin spice everything, and, of course, starting some spooky season reads. I turned to a reliable favorite, Stephen Graham Jones. His previous novels, My Heart is a Chainsaw and The Only Good Indians, delivered some genuine scares, so I was excited to pick up his latest, I Was a Teenage Slasher. As expected, this new book blends memorable characters, a fresh plot, and spine-tingling chills that kept me turning the pages.

Lampasas, Texas, is about as remote as it gets. In 1989, this small town looked much the same as it does today, sustained by oil wells and cotton fields, the kind of place where everyone knows everyone else’s business because there’s little else to do. No one would have ever imagined that such a quiet town would produce a serial killer—least of all, the killer himself.

Tolly Driver considered himself a decent kid, even though he never quite fit in with the other teens in town. As he geared up for his senior year of high school, Tolly attended a party where most of his classmates gathered. But instead of blending in, he made a fool of himself, ending the night in a near-fatal accident that changed his life forever. That night sparked a transformation in Tolly, setting him on a dark path of revenge and turning him into a full-fledged serial killer.

I Was a Teenage Slasher might be Stephen Graham Jones' most accessible novel yet—at least as accessible as a story about a brutal serial killer can be. Jones takes the familiar tropes of a '90s teen slasher and gives them his own twisted spin. The story is told from the main character's perspective as he recounts his descent into darkness through a stream-of-consciousness flashback. Jones plays with the morally gray nature of his protagonist, adding a surprising sense of humor that provides some much-needed levity to the dark story. It’s a mix of classic slasher horror and a coming-of-age tale, resulting in a compelling page-turner I couldn’t put down. This is my favorite novel from Jones to date, and it was the perfect way to kick off my spooky season reading.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 65)