A Book A Week

After nearly a year, my "Friday Flicks" feature returns to review a movie on the blog. While my trips to the movie theater have become less frequent, I still watch a fair share of films, particularly adaptations of popular novels. While browsing through Netflix, I recently stumbled upon "The Wonder," a 2022 film based on Emma Donoghue's novel of the same title. Having been captivated by the book in 2018, I was intrigued to see how it translated to the screen, especially given that the author was involved as one of the screenwriters. With my curiosity piqued, I decided to dive into the adaptation.

The film commences unconventionally, breaking the fourth wall by introducing us to a modern-day soundstage. An off-camera narrator emphasizes the significance of stories, asserting that "we are nothing without stories." This initial setup aims to establish the narrative we are about to witness. Transitioning from the soundstage to an 1862 setting in post-Great Famine Ireland, the film's camera guides us seamlessly into the historical context, setting the stage for the unfolding story.

In the film, Florence Pugh takes on the role of Lib Wright, an English nurse sent to a remote Irish village. Her mission is to closely monitor Anna O'Donnell, portrayed by Kíla Lord Cassidy, a young girl whom her family claims has not eaten for an astonishing four months, subsisting solely on what they believe to be "manna from heaven." Lib is joined in her task by Sister Michael, a nun, and together, they are entrusted to provide independent reports to a council of local dignitaries. Guided by a firm belief in science and rationality, Lib is determined to uncover the O'Donnells as frauds.

The film's central mystery revolves around Anna, a child who seems steadfast in her convictions. Lib grapples with how Anna, who appears resolute in her claims, could orchestrate such a complex deception. As Lib delves deeper into the enigma surrounding Anna and her family, this inquiry becomes the heart of this story. 

Director Sebastián Lelio's interpretation of "The Wonder" is a visual masterpiece. Each frame is meticulously crafted with the precision of an artist, beautifully capturing the cool Irish atmosphere. Collaborating with the novel's author on the screenplay ensures a faithful representation of the book's text, bringing the words vividly to life on the screen.

The narrative is elevated by the nuanced performances of the entire cast, with Florence Pugh standing out through her subtle portrayal of a woman torn between reason and faith. This collective effort results in a viewing experience that is quietly cerebral. Even as the film builds towards a dramatic climax, everything remains understated, allowing the characters and their story the space to breathe. It may be a slow burn, but it enriches the narrative with captivating subtext. In an era where many films aim to attract audiences through grand spectacles, "The Wonder" captivates with its quiet confidence in portraying the inner turmoil of its characters. This sets it apart as a distinct cinematic experience that is truly fascinating to witness.