A Book A Week

M. Night Shyamalan is a name synonymous with horror. His breakout directorial hit The Sixth Sense set the stage for an incredible run of original suspense films known for their trademark twist endings. In later years, the writer-director became infamous for a string of commercial and critical misfires that saw his stature in Hollywood diminish. Recently, he has shifted away from big studio productions, opting for self-financed films that harken back to the grassroots approach of his earlier, more successful works. When I first caught wind of Shyamalan's plans to adapt Paul Tremblay's terrifying novel, The Cabin at the End of the World, for the screen, I approached the news with a mix of cautious optimism. I enjoyed most of Shyamalan's films, including some of his less well-received ones, so I was eager to witness his interpretation of a novel that I held in such high regard.

The story centers around a family consisting of a gay couple, portrayed by Jonathan Groff and Ben Aldridge, and their adopted daughter, Wen. Seeking a peaceful vacation, the trio retreats to a remote cabin in the woods. While her fathers unwind on the cabin's back patio, young Wen keeps herself occupied by collecting grasshoppers in the front yard. She meticulously names and catalogs these creatures until she notices a large, imposing figure approaching the dirt road. This intimidating man, portrayed terrifyingly by Dave Bautista, introduces himself to Wen and cryptically explains that he and his companions require their help to save the world. At this moment, Wen's instincts signal the impending danger to her and her family, prompting her to flee and seek her parents' assistance.

It doesn't take long for the man and his three associates to capture the family and hold them hostage within the cabin. It's within the confines of this cabin that their true intentions are unveiled. The strangers believe they have been chosen to prevent an impending apocalypse, with the family playing a pivotal role in their mission. Confounded, terrified, and isolated from the outside world, the family must grapple with their beliefs and make a life-altering decision before it's too late.

Knock at the Cabin demonstrates Shyamalan's directorial prowess, successfully translating Tremblay's harrowing story into a gripping cinematic experience. Dave Bautista delivers a standout performance, skillfully oscillating between nuanced grief and menacing intimidation. His emotionally charged portrayal adds layers of tension, leaving viewers on the edge of their seats. Rupert Grint, renowned for his role in Harry Potter, also makes a striking appearance, showcasing his versatility in a raw and terrifying character that's a stark departure from his iconic role. The film earns its R rating through its graphic violence, as Shyamalan fearlessly captures the horrifying essence of Tremblay's premise. While the movie delves into moments of intense terror, it also balances the narrative with poignant character development, providing viewers with brief respites amid the suspense.

As in the novel, the film admirably presents a gay couple without sensationalism, portraying their relationship as authentically normal. Jonathan Groff and Ben Aldridge breathe life into their characters, crafting a genuine and relatable portrayal of this couple. Shyamalan opts for an ending distinct from the novel, which may be less contentious. Regardless of one's stance on the ending, the film masterfully explores themes of family, duty, and sacrifice within the framework of chilling horror. It stands as an excellent addition to any spooky season watchlist.